![]() During the Russo-Turkish War, writer Vsevolod Garshin was a military man. In 1884, Ilya Repin created his portrait of Vsevolod Mikhailovich Garshin. According to the book, the painting might have been created in 1888, when the actress was 24 years old.Īrtist: Ilya Repin | Year (completed): 1884 | Movement / Style: “Peredvizhniki” The image had never been listed, displayed, or published. A card with a handwritten love letter from the artist discovered in the flat and a brief mention found in a 1951 book that the artist's widow Emilia Cardona commissioned supported the portrait's origin. One of the many findings in Madame Marthe de Florian's apartment in Paris was a portrait of herself painted by Giovanni Boldini, wearing a lovely pink muslin evening gown. However, until 2010 when the apartment seemingly frozen in time was discovered, the latter connection was only an assumption. People speculated that she had relationships with several notable men, including future French Prime Minister Georges Clemenceau and painter Giovanni Boldini, the master behind the portrait above. Parisian actress and socialite Marthe de Florian was well known for her alluring beauty. This painting was later stolen by the Nazis in 1941 and was only recovered after 60 years.Īrtist: Giovanni Boldini | Year (completed): 1910 | Movement: Macchiaioli Given that Adele struggled with health issues throughout her life, the all-seeing eye and golden triangle symbols on her dress may have been added as amulets. Adele Bloch-Bauer is also decked out in expensive jewelry, including a choker made of diamonds that Ferdinand had given her as a wedding gift. The sensuality of the woman depicted in the portrait is conveyed by her heated cheeks and rouged lips. Her face is encircled by a golden halo with elaborate decorations. It's unclear whether she's standing or sitting in an armchair draped in sinuous spirals. In this particular painting, Adele is depicted by Klimt in an ambiguous position. ![]() Bauer twice commissioned Klimt to create portraits of his wife. There is little doubt that Klimt was influenced by Egyptian art when he created this portrait of Adele Bloch Bauer I, the wife of sugar industrialist Ferdinand Bloch-Bauer. "I abhor and abjure them and hope never to do another, especially of the Upper Classes."Īrtist: Gustav Klimt | Year (completed): 1907 | Periods: Art Nouveau, Vienna Secession, Modern art He referred to the genre that had made him famous in his letter to his lifelong friend Ralph Curtis as "paughtraits," using his unique and satirical spelling. However, despite it bringing him a bunch of money, in 1907, Sargent gave up on painting portraits on commission. Clients flocked to his studio in Chelsea, where he charged around $5,000 for a full-length portrait. He started to receive extraordinary acclaim in England and the United States. That year, his painting of two little girls lighting Japanese lanterns won the British public's hearts. His art didn't instantly appeal to the English taste. After failing in Paris, Sargent relocated permanently to London. Sargent thought it was his best work and was unpleasantly startled when it sparked a stir because reviewers thought it was eccentric and provocative. ![]() Ten years later, in 1884, at the Paris Salon, Sargent debuted arguably one of his best-known paintings, Portrait Of Madame X, which portrays a Parisian beauty named Madame Gautreau. John Singer Sargent was the most famous portrait painter of his time, also hailed as the "leading portrait painter of his generation." In 1874 he went to Paris to study painting. Determined to influence the direction of art history by protesting against cliches and challenging established painting forms.Īrtist: John Singer Sargent | Year (completed): 1884 Brave, cunning, radical, aspirational, and determined. In addition to feeling his desperation when one looks at this self-portrait, the observer also gets a sense of Gustave Courbet's personality. ![]() He believed that artists should depict the world as they perceive it thus, his realistic artwork in the late 1840s favored many young realist and neo-romantic painters. Courbet utilized his self-portraits to prove himself as an artist and as a means of self-promotion and publicity. In The Desperate Man, Courbet pulls his hair while staring at the observer directly with his eyes wide open, conveying the subject's emotional and psychological state. Self-portraits are prevalent throughout Courbet's career, and many of these self-portraits, including the one above, are Romantic in style, demonstrating clean lines and precision. Artist: Gustave Courbet | Year (completed): 1845 | Period: Romanticism
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